Winifred Atwell

Winifred Atwell was a hugely popular star in Australia in the 1950s, everybody knew her. She was also a very talented musician and performer. I was lucky to get these candid snaps of her, some of them are on my website, but these are not.

Winfred's father was a pharmacist and she was supposed to follow the family path, but she was lured by music and succumbed to its siren song.

She played in the US, studied at the Royal Academy of Music in London and wowed them with her boogie tunes in the clubs there. She headlined the Palladium and the music charts, and finally came to Australia to stay.

Above is a signed copy of a programme from Chequers in Sydney. In the pages of the programme she is asked a series of questions one of them is,

"What do you hate?"

She answers

"Colour prejudice and new shoes."

Winifred Atwell died in 1983 in Sydney.

La Motogirl

This curious postcard is of 'la motogirl'

She was brought to Australia by Harry Rickards, of the Tivoli Circuit in 1906. Her Manager, Fred Melville, accompanied her.

La Motogirl was taken from her cabinet on stage and left there to dance, sing, play the violin and perform other comedic feats. It was said that she was run by electricity, and sparks flew from her limbs as she performed.

The audience were allowed to look at La Motogirl and encouraged to decide, 'Is she real?"

A young American lady named Doris Chertsey may have also been part of the act.

Maude Beatty

While looking through my trunk full of theatre programmes yesterday I found a letter signed by Maud Beatty.

Maud was born in Christchurch, New Zealand, in 1878. Her parents ran the Theatre Royal in that city. She and her younger sister, May, were soon recruited by Pollards Lilliputians, a famous children's theatre troupe.

Maud was famous as a teenager for taking the male lead roles in productions such as Paul Jones. According to Peter Downes, who wrote the definitive book on the pollard company, The Pollards, Maud's physique and voice made her suitable for such roles.

Here is a picture of Maud in tights from an old cigarette card.

By 1904, when the letter below was written, Maud had been to London and was performing at the Theatre Royal, Brisbane doing a variety turn.

In the letter she thanks an admirer for sending her some flowers. So she was obviously a very polite, well brought up lady. Nobody seems to know when Maud died, but she was still performing in 1919 with JC Williamson. Her sister May, two years younger, died in 1945.

Our Glad-Gladys Moncrieff

Gladys Moncrieff was one of Australia's greatest performers.Gladys began her career with J C Williamson and one of her most famous roles was as Teresa in Maid of the Mountains.


She would spend most of her life playing Teresa. Above is the original song music from 1921, with a very young Gladys on the cover.

Another of her famous roles was the lead in the Street Singer.

Glad's marriages, her accidents and her every move were chronicled by the Australian Press and avidly followed by the public. She was, in every way, a superstar.

When Her Majesty's Theatre in Sydney closed in 1933, who better to farewell the old place than Glad? Maid of the Mountains was the last performance in that grand old hall. Below is the front page of the programme for the final night, if you look closely, or click to enlarge, you can see Glad's autograph in the top right hand corner.

Glad died in 1976, but she is remembered forever.

Larry and Viv

I have always been a big fan of Gone with the Wind and especially the leading lady, Vivien Leigh. Vivien was an amazing woman because she courageously battled a terrible disease, bi polar disorder, and yet she produced some of the most incredible acting performances ever seen. Of course when Vivien lived there was no drug treatment , so she had shock treatment. There are stories of how she would have shock treatment in the morning and then in the evening, covering the burns with makeup, she would go on stage and produce a perfect performance.

In 1948, Vivien and her more famous husband, Laurence Olivier toured Australia. Vivien was already showing signs of her disease and according to the authoritative book on the subject,( Darlings of the Gods by Garry O Connor), their marriage was floundering.

That didn't bother the audiences. Larry and Viv were treated like royalty, literally. They reviewed troops, they came to parliament and were adored by the Australian press and public.

Above is an autographed copy of one of their programmes. The tour was conducted in a most professional manner and the programmes were exquisite works of art as can be seen.

In Sydney, they performed at the Tivoli Theatre, which was located near Belmore Park at Central. This was the second Tivoli, the first was located at Castlereagh Street and was transformed into the Embassy Cinema before demolition.Some years ago when I was working at a shop in Sydney, a customer told me that he had met Larry and Vivien during their tour. They had stayed in the Mosman area and he was a child at the time. He said Vivien was wonderful, but Larry was awful, a horrible man.

That is the lasting impression of Vivien Leigh in Australia.

-Leann

Minstrels

Everything I know about minstrels in Australia, I learned from Richard Waterhouse's book, From Minstrel Show to Vaudeville. If you are interested in the history of minstrels, I recommend buying it, it's a great read.

Minstrel shows were very popular in Australia in the mid to late 19th century. The tradition of end man and bones was incorporated into variety halls in Australia, and for many years, the Tivoli theatre chain had a minstrel style first part in every programme.

Why I am talking about minstrels? Well, whilst looking in my files last night, I discovered two music sheets.


The first is from Christy's minstrels and is probably an English sheet.

The song is , Smile your sweetest smile again, sung by Ernest Bruce of the original Christy's Minstrels, St James's Hall.

The second appears to be from Australia.

This is The Cuckoos Notes, sung by Mr Rawlinson of the original Christy's Minstrels. It was printed in England but sold at Palings in Sydney, according to an embossed stamp on the left hand side. Of interest is the fact that it has a signature, J Rawlinson, on the bottom left hand side.

Now according to Professor Waterhouse, a Christy's minstrel troupe toured Australia in the late 1860s. I wonder if this music sheet dates from then?

One famous graduate from an American minstrel group which toured later than Christy's was Irving Sayles. An article about Irving is here

Minstrelsy is a fascinating area of Australian theatre history. If you have an interest in it, Professor Waterhouse's book is the best place to start.

-Leann

Tragic Comedians

I've spent today writing an article about Tivoli comedian Tom Dawson.

Tom was a cheerful man who thrilled Australian Tivoli audiences for over a decade. For some reason at age 41, he decided to go to war and died on the fields of France. Tragic.

This lead me to think of that other tragic comedian, George Lauri.

George was an English man who came from a theatrical family. He really had no choice but to become a stage performer.He came to Australia in 1891 and about 4 years later, replaced J C Williamson's star comic, William Elton, in the Royal Comic Opera Company. George worked for Wiliamson's for many many years, but he also met a tragic end.

Here is George in costume in a wonderful Talma photograph.

I like this photo because of the sly smile on George's face, and also for what it says about images of orientalism in the theatre in the 19th century. By my guess, this is a late 19th century photo.

Below is George's wife, Marietta Nash, who was also a performer. She wasn't as famous as George.

Poor George had a nervous breakdown in 1907 after working for Williamson for 16 years without a real holiday. He returned to the stage but was still suffering from exhaustion and depression

In January 1909, George, whilst on holiday with Marietta, sat on the balcony of their beach cottage. Marietta went inside for a moment and heard a cry. She ran out to find George bleeding profusely from a cut to his throat. He had sliced his jugular vein with a straight razor.

His last words were;

'I am tired of life.'

Poor George, and poor Marietta.

-Leann