Friday, May 6, 2022

Updates and such

 I've had some time recently, so I'm trying to reorganise all my theatre history information and update my original website, hat-archive.com, to make it more user friendly. I've started with a landing page  that I hope will do that.

You can visit the new, improved HAT easily. 

I have incorporated a new mascot- Hattie to motivate me.




Hattie comes from the front page of Fuller News- a Fuller theatre magazine programme from the 1920s- I'm particularly fond of her dog.

I'm also trying to organise my ridiculously large number of theatre programmes into a database. It's a big job that will probably take years. There's a link in the side panel if you'd like to take a look..

I'm also trying to keep the blog updated regularly.

Naturally it's unlikely that I'll manage to do all this...but I can only try...




Saturday, April 30, 2022

The Kremo Family in Australia.

 

Between June and October 1910 the most accomplished Risley act in the world, The Kremo family, visited Australia.

It was Harry Rickards, the legendary owner of the Tivoli who brought them to Australia, and it was Cinquevalli, the equally legendary juggler, who persuaded him to do so.

Rickards was in Blackpool England, chatting to his good friend and reliable money maker, Paul Cinquevalli when the juggler introduced him to Silvester Kremo. Rickards checked out the act and invited Silvester and his family to Australia. It took 5 years for them to get here, because they were so popular.

10 members of the Kremo family arrived in Sydney in June 1910 including Silvester, the leader, his wife, Victor and  Leon, who were twins, Eugenie, Ella, Emma, Frances and an infant.



The Kremos were experts in Risley work,  acrobatics with the feet. Their specialty was tossing a human being from one person lying on their back to another lying on their back . The youngster who was tossed like a football during the Australian tour was not a relative, because, as Silvester told a reporter, ‘even the most obliging of parents cannot be expected to keep up a supply of light youngsters.’

The four sisters were interviewed in Sydney, and were full participants in the show. They practised every day, but they told reporters that practice was like play to them. Eugenie, the eldest, was the only woman in the world who laid on the cushion and juggled people




They played in Sydney, Melbourne and Adelaide and were greeted with wild applause in every city.

In Melbourne the performance was described as;

A stage filled with whirling, bounding, spinning figures whose gold spangled vestments are a blaze of light

The turn included a bit where three Kremos laid on their back and tossed three other Kremos from one to the other. A small boy, dressed in a checkered costume was a highlight, as he was thrown from Kremo to Kremo like a rubber ball .

The Kremos stayed in Australia until October when they sailed away for another 6 years of solid bookings.


The poor quality photos are from contemporary newspapers.

Sunday, April 24, 2022

Australian Juggling History- The Book, Arnold Jarvis- the Boy Cinquevalli, and Mills Mess

 A few bits and pieces


Recently I bought this beauty- I've always wanted one....why? 


This beautiful watercolour was painted by Arnold Jarvis, also know as Arnoldi, a juggler. Arnold was born in South Australia and had a short juggling career that included appearances at the Tivoli theatre. He was billed as the 'boy Cinquevalli'. Everybody was Cinquevalli in Australia in the 1900s.Later he became a landscape painter. He was apparently trained by Ashton- Juggling, and Hans Heysen- painting. For some performances he would combine juggling with lightning sketches...

Arnold's descendants are still around and I had the privilege of talking to them about Arnold when I was researching this....


My new book about Australian Juggling History. I received the final proofs this week and hope it will be published in the next month or so...The publisher is Ginninderra Press, who have published my other books. They are great people.

Finally, while I wait for the book to be published, and between work shifts, I am trying to master the wonderful art of Mills Mess with juggling clubs.

Bruises, drops and screams of frustration are already part of my life in this quest. So if you see a juggler with blue clubs and blue arms and legs (from bruises)  screaming loudly please be understanding of my difficult position..