Sunday, August 23, 2015

Selma Braatz juggling in Australia 1914.

1914 was a big year for juggling in Australia. Cinquevalli toured and W C Fields returned. The year began with the arrival of a very talented 'lady juggler' called Selma Braatz in January.



Selma arrived in 1913 aged 25 and was accompanied by Clara and Fritz Braatz. Clara has been described variously as Selma's aunt or mother. In Australia she was referred to as the juggler's mother, whilst Fritz was referred to as her father.


The juggler was described as 'a young and trimly built lady from Germany who juggled with any old thing in the way of light articles'. On stage she wore a type of short suit, which was demure, but daring, in that it revealed her legs.

Selma started her tour of Australia in January, in Melbourne. It was pantomime season so her appearance at the Opera House in that city was not much remarked upon . She toured the Tivoli in Sydney, where her appearance was overshadowed by the newest dance craze, the Tango, and went to provincial areas in Victoria such as Ballarat, where the open air nature of the theatre interfered with her juggling. She also visited Perth and Kalgoorlie, a mining town. Her itinerary, particularly the visits to the country areas, suggested that she and her family were quite adventurous. 

Her act consisted of balancing and juggling of unusual household objects. Selma started her act juggling a tennis racquet, she then proceeded to use a bell topper and stick and manipulated both to the  audience's surprise and delight. She  juggled billiard  balls and balanced things on a cue stick. She had difficulty with some of the balancing tricks in the open air Britannia Theatre at Ballarat, but they were performed successfully in the bigger theatres of Melbourne, Adelaide and Sydney.

The trick that won her the most applause was balancing a tray, a wine glass, another tray,  and an egg on a billiard cue held upright on her chin. The trays were knocked away and the egg fell into the wine glass without breaking.



As a finale, Selma juggled some carriage lamps. The house lights were dimmed and as the lamps were thrown into the air they became luminous, changing colour from white to red and on to violet.
Selma was assisted on stage by Clara who juggled soap bubbles. Charles Waller described these as 'stiff bubbles, (which) may be blown either from film cement or from a special soap solution, into the composition of which enters a little gum arabic.' According to Waller, Selma was responsible for introducing the juggling of soap bubbles into Australia.

 Selma was apparently  on good terms with Cinquevalli, whose name always arose when jugglers were discussed in this country. Apparently, they exchanged letters, and Cinq called Selma, 'Pauline', a reference to his own name Paul.

Selma toured the whole country, and stayed for several months, before returning overseas where she continued her juggling career.

She died in New York in 1973, reportedly aged 89.


SOURCES;
Arrival information about Clara, Fritz and Selma, from Victorian Shipping records.
Description of Selma from The Adelaide Register, 4/03/1914
Description of Selma's act from The Adelaide Register. 4/03/1914,and The Argus (Melbourne)5/01/1914.
The description of soap bubble juggling comes from Magical Nights in the Theatre by Charles Waller. Edited by Gerald Taylor.
The relationship between Selma and Cinquevalli is discussed in The Referee newspaper.11/2/1914
Pictures of Selma come from 1. The Australasian, 10/01/1914, 2. The World News, Sydney, 14/2/1914
Information about Selma's death comes from juggle.org

New Postcards

My visit to the postcard fair today was very profitable. Well profitable for the stall owners, but very interesting for me.



Upper left is Pansy Montague. Pansy, also known as La Milo, was a human statue performer.She was born in Sydney and started her career with the Tivoli Circuit in the early 20th Century. In this postcard she is posing as the Water Nymph.

Upper right is Little Baby Watson, another Tivoli performer. Little baby Watson was a favorite of Tivoli owner Harry Rickards in the early 20th century.

Lower left is Teresa Carreno, who toured Australia in 1907. She was a Venezuelan pianist, singer and composer.

Lower Right is Margaret Thomas, one of JC Williamson's Royal Comic Opera Company.


Above to the left is a lovely postcard of the 'red headed spark' Daisy Jerome. I have something about her elsewhere on this blog. Next to her is one of my favorites, Carrie Moore. On the bottom is a very interesting advertising postcard for a Bland Holt production. Bland Holt was one of Australia's premier producers of melodrama. This particular postcard is advertising a 1904 production at the Theatre Royal in Sydney. It features a caricature of the man himself staring out a window.



These three postcards feature at the top left, a 1950s Australian magician named Tommy Parer. Next to Tommy is Annette Kellerman, the famous Australian swimmer who made a name for herself in the movies. Below is a picture of Miss Valli Valli an English Edwardian actress.

Finally, two wonderful postcards. The first is of Vivien Leigh during her contract with London Films. This probably dates from the mid 1930s, just before Gone with the Wind.

The second is an intriguing picture postcard of a parade in Sydney to advertise the Criterion Theatre's production of 'A Beggar on Horseback'. A quick internet search dates this to 1908. If anybody can tell where this was taken, I would appreciate it. I'm guessing Hyde Park because it was the closest park to the Criterion.

Alas, No Jugglers!








Tuesday, August 18, 2015

W C Fields juggling in Australia 1903

In the early 20th Century, Cinquevalli popularized juggling in Australia and due to this, Harry Rickards, the owner of the Tivoli circuit, looked for other jugglers to entertain his audiences.

In 1903, Rickards succeeded in persuading the American 'eccentric juggler' W C Fields to tour Australia.

At the time of his arrival, Fields was 23 years old. The local version of Theatre Magazine described him as 'A comparatively good looking , fair coloured youngster. ...a good revolver shot and a capital horseman.'

Fields began his tour in Melbourne in June, traveled to Adelaide for about a week in July and then had a two month stint at the Tivoli in Sydney.

His act was most notable for its comedy.

Fields dressed as a tramp, said little and let his antics and dumb show provide the laughs.



For a ten minute turn in Adelaide, he used a battered old  grey belltopper (hat) and twisted it around his feet, hands and head. He then placed a cigar on the hat, placed both on his toe and whipped them up so that the hat fell onto his head and the cigar into his mouth.

He followed this with feats of three ball juggling. (He used tennis balls)  The Adelaide Advertiser said that 'under his control the balls were made to bound from place to place with lightning speed.'

In Sydney and Melbourne, Fields did the  billiard ball trick. Apparently this involved the use of a trick pool table. Field would bounce balls off parts of his body and they would rebound into the pockets. This trick was very well received by audiences.

The juggler was very popular in Sydney in particular.The Referee newspaper described the encore demands from the audience on his opening night as 'unreasonable.' Most reviews commented on his humour. The same newspaper said 'he does the most difficult feats with a drollness which is irresistibly funny.' 

Fields returned to Australia in 1914 for another tour. Of course he followed up his juggling career with star turns as a comedian in the Ziegfeld follies and in movies. Field gave up juggling, partly because he wanted to drink, and partly because he wanted a more rewarding occupation. Nonetheless, he did gain his initial fame through juggling and was one of the most successful acts on the Tivoli circuit in Australia in 1903.

If you are interested in contemporary juggling in Australia try Sydney Juggling.

notes on sources.

Fields' description from Theatre Magazine is quoted in Tivoli by Frank Van Straten

The picture of Fields comes from Melbourne Punch, 25/06/1903

The description of his act in Adelaide comes from The Adelaide Advertiser, 13/07/1903

The description of the billiard ball trick is based upon a description found at www.juggling.org

Finally, quotations about his performance in Sydney come from The Referee, 29/03/1903